鹿头梵志的早期形象及宗教内涵  

On the Early Images of Mrgasirsa Brahmacārin and Their Religious Connotations

作　　者：吕德廷[1] 

机构地区：[1]聊城大学运河学研究院,山东聊城252059

出　　处：《敦煌研究》2016年第1期52-57,共6页Dunhuang Research

基　　金：教育部人文社科青年项目"敦煌佛教艺术中的外道形象研究"(13XJC770002)

摘　　要：犍陀罗艺术中的鹿头梵志基本位于佛陀右侧,与之相对分布的多是一位手拿骷髅头的沙门,雕刻沙门可能是为了平衡画面。鹿头梵志的头顶有一缕头发,这与涅槃图中的须跋陀罗类似。库木吐拉石窟中的鹿头梵志是沙门形象,画面中未出现执雀尼乾子。北朝流行鹿头梵志可能与当时佛教宣传五戒十善的思想有关。In Gandharan art, the Buddha is often flanked by a monk holding a skull on the left and Mrgasir.sa Brahmacarin with his head wrapped in his mantle on the right. The image of Mrgagir.sa Brahmacarin with a tuft of hair protruding from the mantle onto his forehead is similar to that of Subhadra in Gandharan art. In the Northern Dynasties, the popularity of this image ofMrgagir.sa Brahmacarin might be connected to the dissemin- ation of the Five Precepts and Ten Good Conducts current at the time.

关 键 词：鹿头梵志 犍陀罗艺术:库木吐拉石窟 

分 类 号：K879.3[历史地理—考古学及博物馆学]