论黄春明小说的身体书写  

On the Writing of Body in Huang Chun-ming's Fiction

作　　者：许文荣[1] 

机构地区：[1]马来西亚拉曼大学中华研究院中文系

出　　处：《华文文学》2016年第1期115-122,共8页Literatures in Chinese

摘　　要：身体书写(the writing of body)在当下这后现代的文学场中似乎无所不在、无可回避,甚至被提升到本体的书写层次,或成为表达创伤与文化抗争的聚焦点,特别是在边缘的批评模式中如女性批评、后殖民批评及少数民族批评等;或转为消费主义的倾向,身体成为被凝视、被偷窥、被凸显、被玩赏的对象,成为文本中最具魅力、最有愉悦性的物件。本文尝试探讨黄春明小说的身体书写,尤其集中在他六、七十年代所发表的几部代表性著作,试图归纳与分析他小说中几种类型的身体写作:即作为救赎的身体、作为霸权的身体以及作为嘲讽的身体。在论述这些身体书写的各种类型时,也尝试揭示各类身体书写潜藏的社会、文化及政治指涉。The writing of body is something prevalent and unavoidable in the current postmodern site of literature that has gone so far that it＇ s been elevated to the written level of subject or it has become a focal point in expressing trauma and cul- tural resistance, particularly in the marginal modes of criticism, such as feminist criticism, postcolonial criticism and ethnic minority criticism. On the other hand, it has also developed a consumerist tendency in which body turns into an object of gaze, voyeurism, representation and pleasure, becoming the most glamouring and pleasurable article. This paper intends to explore the writing of body in Huang Chun-ming＇ s fiction, particularly a number of representative works of his, published in the 1960s and 1970s in an attempt to analyse and sum up various types of body writing in his fiction, namely, body as re- demption, as hegemony and as humour, and, in discussing these types of body, it is intended, too, to make revelations about the society, culture and political references hidden in them.

关 键 词：黄春明 身体书写 救赎 霸权 嘲讽 受苦 匮乏 

分 类 号：I106[文学—世界文学]