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作 者:赵录旺[1]
出 处:《唐都学刊》2015年第6期78-82,共5页Tangdu Journal
基 金:陕西省教育厅科研项目(2010JK052)
摘 要:路遥、陈忠实和贾平凹等三位陕西作家,以现实主义创作为底色,形成了崇高性、悲剧性和荒诞性等不同的审美风格;而这一风格差异的形成既根源于他们农民身份和现代知识分子身份的双重认同,又根源于他们不同的生活经历、生存体验和思想认知的差异。正是他们身上体现出的乡土情结、时代精神以及由此形成的情感张力和审美心态的共性,成为各自审美风格的差异性和丰富性的基础。Different aesthetic styles can be found among the works of Lu yao, Chen zhong-shi and Jia ping-wa from Shaanxi Province, whose works are all based on realism but full of loftiness, tragedy and absurdity. The differences have taken their roots not only in their double identity of farmers and modern intellectuals but also in their different life and existent experiences and ideological cognition. The native complex and spirit of the times, as well as their general characteristics in the emotional tension and the aesthetic mentality have resulted in their differences and di- versity in their respective aesthetic styles.
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