苦难时期的心灵慰藉——从《一只绣花鞋》看“文革”期间民间文学的审美取向  

Spiritual Comfort in a Time of Great Misery—— Aesthetic Orientation of Folk Literature in the Period of the Great Cultural Revolution Viewed through An Embroidered Shoe

作　　者：布小继[1] 李钧[1] 

机构地区：[1]红河学院人文学院,云南蒙自661199

出　　处：《楚雄师范学院学报》2015年第12期6-9,19,共5页Journal of Chuxiong Normal University

摘　　要：张宝瑞的《一只绣花鞋》在很大程度上弥补了"文革"时期民间文学的空白,填补了苦难环境中迷茫、无奈的人们空虚的精神世界,表现为一种"不能忍受文化沙漠中长途跋涉的饥渴"之反抗意识的觉醒及人们不甘受禁锢的思想,以及对人性、个性、情感的渴求与反思。其所代表的民间文学也表现出特殊时代人民群众的审美取向,是对文化枯竭环境中心灵与精神的一种重构。To some extent, An Embroidered Shoe by Zhang Baorui supplies the missing link of the folk iterature in the period of the Great Cultural Revolution （ 1966 - 1976）, substantiates the vacant spiritual world of the lost people in misery, and expresses the senses of defy against ＂thirst after a long journey in a cultural desert＂ of the people already wakening up and their pursuit for humanity, personality and affection. Moreover, the novel represents the aesthetic orientation of the broad mass during that special period of time and can thus be defined as a mental and spiritual restructure of our exhausted culture.

关 键 词：《一只绣花鞋》 民间文学 精神世界 审美取向 

分 类 号：I207.424[文学—中国文学]