玛格特·汉尼曼与马克思主义文学批评  

Margot Heinemann and Marxist Literary Criticism

作　　者：赵国新[1] 

机构地区：[1]北京外国语大学英语学院,北京100089

出　　处：《外国文学》2016年第1期71-79,共9页Foreign Literature

基　　金：北京市哲学社会科学规划项目"英国马克思主义文论史"(11WYB010);教育部人文社会科学研究一般项目"英国马克思主义文论史"(12JYC752047)

摘　　要：本文是首篇比较全面地研究英国马克思主义文学批评家玛格特·汉尼曼学术成就以及她与文化唯物论独特关系的论文。文章首先论述了汉尼曼的思想学行,总结分析她在英国左翼运动史、英国文艺复兴时期的文学以及布莱希特的戏剧等三个领域取得的斐然成就;既而揭示出其文学批评特色:一方面持守传统马克思主义的社会历史分析方法,另一方面在某种程度上推动了新兴的文化唯物论批评在20世纪80年代的兴起。本文还指出,由于她毕生持守老左派的政治路线和立场,导致后世的相关研究著作忽视了她对文化唯物论的开拓性贡献。The present paper is the first full-length study of British Marxist literary critic Margot Heinemann and her unique relationship with cultural materialism. It begins with a critical account of Margot Heinemann＇s intellectual career, then examines her brilliant achievements made in three research fields-the history of British leftist movement, English Renaissance literature, and Bertolt Brecht＇s drama, and finally argues that her major critical works adhere to the socio-historical principles of traditional Marxist critical enterprise on the one hand, and contribute, to some extent, to the emergence of cultural materialism in the 1980s on the other. The paper also points out that due to her lifelong affiliation with the British old left＇s political enterprise, she has often been neglected as one of the forerunners of cultural materialism in later studies on this subject.

关 键 词：玛格特·汉尼曼 马克思主义批评 文化唯物论 新左派 

分 类 号：G0[文化科学]