晚清小说叙事模式的新变——兼论吴趼人《恨海》中的心理描写  

New Change in the Mode of Novels in the Late Qing Dynasty——Discusses the Psychological Depiction in Hated the Sea

作　　者：樊胜军[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710119

出　　处：《保定学院学报》2016年第1期84-88,共5页Journal of Baoding University

摘　　要：吴趼人通过对小说主人公棣华心理活动细致入微的描写,向读者详尽展现了她坠入情天恨海的情感变化的全过程。《恨海》中心理描写开始较大规模地介入叙事,拓展了小说的叙事空间,向读者展示了一个以前无人涉及的世界。吴趼人在同时代小说家中较早认识并推动心理描写地位的上升,不仅使20世纪初的中国文学获得一股强劲的推动力,而且也为丰富中国文学中的现代人性开辟一大源泉。《恨海》开启了中国近代小说叙事模式转变的先声。Wu Jianren, through the protagonist＇s psychological activity nuanced depiction of detail to the reader to show her fall in love-hate emotions of the sea process. Psychological descriptions in Hated the Sea began a large-scale intervention narrative expands the narrative space, to show the reader a world in which no one before had been involved. In the contemporary novelist of early awareness and promoting the psychological description of the rise of not only for early 20th century Chinese literature to be a strong driving force, but also to enrich the modem humanity in Chinese literature opened up a major source. Hated the Sea opened the prelude of the narrative model of modem China.

关 键 词：晚清小说 吴趼人 《恨海》 心理描写 叙事模式 

分 类 号：I207.41[文学—中国文学]