论美术展览的学术性与艺术图像的“去魅”——从北京画院“踪迹大化——傅抱石艺术回顾展”谈起  

Academic Nature of Art Exhibitions and "Disenchanting" of Art Images:A Comment on Fu Baoshi Retrospective Art Exhibition Held at Beijing Art Academy

作　　者：艾姝[1] 

机构地区：[1]天津美术学院学报

出　　处：《天津美术学院学报》2015年第2期56-59,共4页Northern Art:Journal of Tianjin Academy of Fine Arts

摘　　要：北京画院举办的"踪迹大化——傅抱石艺术回顾展",较全面地展示了傅抱石先生的山水画作,从仿古的拘谨山水图,到超越自我的抒情性山水,再到受到历史潮流拍打的政治风景。但这个雅致的展览却引发作者的思考,应如何通过展览本身,为高高在上的艺术"去魅",吸引更多普通观众的兴趣?可在挖掘并突出兴趣点、展览叙事和具体布展等层面,作进一步的探索。The Fu Baoshi Retrospective Art Exhibition held at Beijing Art Academy gives a comparatively comprehensive display of the landscape paintings of Mr.Fu Baoshi,ranging from archaistic reserved landscape paintings,to lyrical landscape paintings with the spirit of self-transcendence,and then to the political landscapes influenced by historical trends.This elegant exhibition,however,has aroused the author's reflection:How should we 'disenchant' art high above the masses through an exhibition itself and attract the interest of more ordinary audience? This article contends that further explorations should be made in excavating and highlighting points of interest by narrating the stories behind exhibitions and highlighting specific exhibition arrangements.

关 键 词：北京画院 美术展览 傅抱石 兴趣点 绘画形式 仿古山水 关山月 李可染 超越自我 山水画创作 

分 类 号：J212[艺术—美术]