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作 者:孙志虹[1]
机构地区:[1]天津财经大学艺术学院
出 处:《天津美术学院学报》2015年第2期96-99,共4页Northern Art:Journal of Tianjin Academy of Fine Arts
摘 要:美术史学界泰斗王伯敏先生晚年的心血之作《中国民间剪纸史》是他学术视野和学术成果的再次延伸和扩展。该书不仅图文资料丰富详尽,还在某些有关剪纸艺术的重要概念、观点上提出了自己独特的见解。如"农耕文化"这一概念的提出,使得对剪纸艺术的探讨脱离了现有美术史的评判尺度而获得新的定位与空间,同时也表明他对剪纸艺术的理解更趋准确。该书在我国剪纸史学研究发展史中具有开创性和奠基性的重要意义。History of Chinese Folk Paper-Cut, a result of painstaking efforts of the leading scholar in the field of art history Mr. Wang Bomin in his later years, represents a further extension and expansion of his academic vision and academic achievements. The book is not only abundant and detailed in pictures and language, but also proffers a unique perspective on some important concepts and opinions concerning the art of paper-cut. For instance, the concept of "farming culture" makes it possible for the exploration of the art of paper-cut to get rid of the present measure of judgment in art history and obtain new possibilities. It also shows that Wang has had a more accurate understanding of the art of paper-cut. This book is of pioneering and fundamental significance in the development of the research of history of paper-cut in China.
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