金贝尔美术馆新旧两馆建构理念比较  

Comparison of the Tectonic Ideas Between the Existing Building and the New Expansion of Kimbell Art Museum

作　　者：齐奕[1] 张姗姗[1] 

机构地区：[1]哈尔滨工业大学建筑学院

出　　处：《世界建筑》2015年第12期114-118,共5页World Architecture

摘　　要：本文运用比较法对金贝尔美术馆老馆与新馆的建造方式进行分析,提出两馆间存在重力感与漂浮感、白光黑影与柔光弱影、非透明性与透明性的差异,指出新馆设计是在尊重的基础上追求创作自由。皮亚诺在新馆没计中的自由包括对材料、结构及建造方法的轻型化运用,以及对博物馆建筑开放性与公民性表达。This paper utilizes the comparative method to analyze the construction methods applied in the old building and the new expansion of the Kimbell Art Museum. The author outlines that the differences in the two buildings are the force of gravity versus the force of floating; white light and black shadow versus soft light and weak shadow; opacity versus transparency. The paper points out that the freedom was pursued in the new expansion, based- on respecting for the original one. The freedom shown in Piano Pavilion includes lightweight application in the use of materials, structure and construction methods. The other free expression is the representation of openness and civility towards museum architecture.

关 键 词：重力与漂浮 光与影 非透明与透明 公民性与纪念性 尊重与自由 

分 类 号：TU242.5[建筑科学—建筑设计及理论]