抵抗与规训——黄段子灰段子与红段子的意识形态话语分析  

Resist and Discipline——An Ideological Discourse Analysis of the Dirty Jokes,Black Humor Jokes and Red Texts

作　　者：吴高泉[1] 

机构地区：[1]广州大学人文学院文学思想研究中心

出　　处：《清华大学学报（哲学社会科学版）》2016年第1期83-94,190-191,共12页Journal of Tsinghua University(Philosophy and Social Sciences)

基　　金：广州市属高校社科项目"20世纪中国文学话语研究"(1201411322)

摘　　要：黄段子灰段子是民间话语的一种体现,它以狂欢化的色彩表现出对官方意识形态的抵抗,同时也对官方意识形态的话语权力进行消解,体现出民众在社会转型期普遍感受到的生活压力下对自身处境的想象和情感表达。红段子则是由意识形态国家机器引导和传播的一种意在挤压民间段子(主要指黄段子灰段子)话语空间、强化文化领导权的"红色新文化运动"的一种文艺形式,红段子的文化生产方式体现了官方话语对民间话语进行规训的运作机制。Dirty jokes and black humor jokes are a reflection of folk discourse,which resist the official ideology and deconstruct the official discourse power in a carnival way,showing people's imagination of their situation and people's expressions of emotion under the life pressure in the social transformation period. Red texts are an art form of the red new culture movement,which lead and spread by the ideological state apparatus to squeeze the space of folk jokes( mainly including dirty jokes and black humor jokes) and to strengthen the cultural leadership. Cultural production mode of red texts reflects the operational mechanisms that official discourse discipline and squeeze folk discourse.

关 键 词：黄段子 灰段子 红段子 意识形态 话语分析 

分 类 号：G122[文化科学]