“跃出自己的肌肤”——论海涅诗作《波马雷》和《阿塔·特罗尔》中的舞蹈与越界  

“Jump out of one's skin”——Dance and Transgression in Pomare and Atta Trolby Heinrich Heine

作　　者：刘永强[1] 

机构地区：[1]浙江大学外语学院,杭州310058

出　　处：《同济大学学报（社会科学版）》2015年第6期1-6,61,共7页Journal of Tongji University:Social Science Edition

基　　金：中央高校基本科研业务费专项资金(项目编号:50600*172220151/019)

摘　　要：德国诗人海因里希·海涅对舞蹈艺术情有独钟,他在文学创作和美学探索中多有对舞蹈的描写与反思。文章择取其晚年创作的两部诗作《波马雷》和《阿塔·特罗尔》,就其中的舞蹈主题展开论述。结合"肌肤作为身体界限的隐喻"的文化学观点,着重分析海涅诗作中重复出现的"跃出自己的肌肤"这一舞蹈描写模式,进而阐述诗人对舞蹈和越界的美学思考以及他的创作理念和诗学观。The German poet Heinrich Heine had an affinity to dance art. His depiction and introspection of dancing can be found in his literary works and aesthetic exploration.This article deals with the dancing theme in two of his poems—Pomare and Atta Troll,both of which were composed in his later years.With＂skin as a metaphor for the boundary of the body＂used in cultural studies,the article focuses on the analysis of ＂jump out of one＇s skin,＂a description of dancing.Furthermore,the poet＇s aesthetic understanding about dancing and transgression and his concept of literary creation and poetics are also explored.

关 键 词：海因里希·海涅 《波马雷》 《阿塔·特罗尔》 舞蹈 越界 

分 类 号：I516.24[文学—其他各国文学]