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作 者:陈彩林[1]
机构地区:[1]玉林师范学院文学与传媒学院
出 处:《浙江传媒学院学报》2016年第1期31-37,150,共7页Journal of Zhejiang University of Media & Communications
摘 要:鲁迅的创作既渗透着"独语"的精神气质,也同时贯注着"公仇"的精神气质,二者与中国现代传媒有着分不开的血缘关系。当他"独语"的时候,我们往往能于其中体验到愤怒乃至痛苦到极致的"公仇"情绪;而当他置身满是敌意的"公仇"的时候,又往往激发出他灵魂深处的"独语"。向内的"独语"实质是一种以极具拒绝性、封闭性的方式打开通向整个世界通道的极致的生命艺术,最终反而转化成了被广泛接受的"众语";向外的"公仇"实质是借助现代传媒的公共舆论导向功能向国人展开以正视听的真理辩护与传播。二者既凸显出鲁迅最具特质的精神性存在、思想最深刻的部位与最个性化的表达方式,也同时为中国现代传媒构筑了最具思想穿透力与持久艺术魅力的传播生命力。Lu Xun' s creation is permeated by the temperament of 'soliloquy ',while being filled with the spirit of'public enemy',and Chinese modern media has inseparable relationships with them. During his 'soliloquy'we can feel the extremely angry and painful mood of 'public enemy'; on the other hand,when he placed himself in the hostile environment of the 'public enemy',this often inspired the 'soliloquy'in the depths of his soul. The inward 'soliloquy'is actually a kind of art,the art of opening a channel to the whole world by refusing and closing said contact,eventually transformed into the widely accepted 'public discourse'. The 'public enemies'on the outside are actually defending and spreading the truth with the public guide of modern media. Both 'soliloquy'and'public enemy'highlight Lu Xun' s most characteristic spiritual existence,the deepest part of his thinking and his most personal expression,giving new vitality to Chinese modern media with a penetrating thought and long-lasting artistic charm.
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