清末无锡民间肖像画研究  

Folk Portraits of Wuxi in the Late Qing Dynasty

作　　者：吴宇华[1] 王跃年[2] 

机构地区：[1]江南大学设计学院,江苏无锡214122 [2]江苏第二师范学院美术学院,江苏南京210014

出　　处：《南通大学学报（社会科学版）》2016年第1期105-111,共7页Journal of Nantong University:Social Sciences Edition

基　　金：江南大学产品创意与文化研究中心阶段性成果;教育部人文社会科学研究规划基金项目(12YJA760073)

摘　　要：近代以来,关于中国文化的价值命题有着各种不同的声音,各种思潮不断涌现。新世纪前后,传统文化的研究和保护在多个领域不断展开。基于此,对清代末年无锡地区的肖像画进行研究,剖析其特色和风格,同时比较北京、南京、安徽的同类肖像画,使那个时代民间肖像画的状况更显清晰。通过这一课题在艺术领域的比较研究,为中国美术史在民间肖像画方面的内容提供一个具体的例证,给予不入画坛主流不被记载进美术史的民间画家应得的关注。In modern times, about the value proposition of Chinese culture, there exists a variety of voices and different trends of thought unceasingly emerging. Around the new century, the study and protection of traditional culture has been undergoing continuously in many fields. Based on this, the authors focuses on the portraits from the late Qing Dynasty in Wuxi, analyze their characteristics and styles, and compare them with the similar kind of portraits in Beijing,Nanjing and Anhui in order to demonstrate and clarify the situation of the folk portraits during that age. Through the comparative study on this subject, a specific and detailed case study of folk portraits will be illustrated and provided for Chinese art history. Meanwhile it will also help to give deserved attention to the folk painters who did not join the mainstream painting world and who were not recorded into art history.

关 键 词：民间肖像画 西洋画 传统融合 

分 类 号：J211.25[艺术—美术]