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作 者:童坦[1]
出 处:《丽水学院学报》2016年第1期50-54,共5页Journal of Lishui University
摘 要:有宋一代,刻书业开始大放异彩,从中央到地方形成了一个完整的刻书系统;私家藏书也开始形成一种普遍的社会现象,藏书家的分布扩散到各个社会阶层。南宋藏书家兼刻书家陈起便是其中的代表人物。作为藏书家,他打破"藏不示人"的思想桎梏,充分发挥了藏书的价值;作为刻书家,他刊刻了大量的唐诗别集、"江湖诗派"作品总集以及宋邓椿《画继》等类的其他文集等,为后世留下了高质量的"书棚本"。陈起藏书、刻书有功于中国文化传播和普及甚高,有功于古籍保存和传承甚大。In the Song Dynasty,book engraving industry began to boom,which gave rise to a complete system of book engraving system from central to local government. Private book collection then became a universal social phenomenon prevalent among people of various social classes.Chen Qi, an bibliophile of the Southern Song Dynasty was a representative.As a bibliophile,he broke the ideological shackles of not showing his collection to others so as to bring the value of the books to full play;as a publisher,he engraved and printed many books,including many personal books of poetry by different poets of the Tang Dynasty,complete works of poetry of Jianghu Poetic School, Huaji-a history of Chinese painting by Song Dengchun and other anthologies, leaving later generations with high-quality books nicknamed as "Shu Peng Ben".By collecting and engraving books,Chen Qi made a tremendous contribution to the transmission and popularization of Chinese culture as well as to the preservation and inheritance of the ancient books of China.
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