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作 者:谭桂林[1]
出 处:《中国社会科学》2016年第1期182-202,207-208,共21页Social Sciences in China
摘 要:现代中国佛教抗战文学是非常时代出现的具有特殊意义的文学史现象。这种文学在抗战精神的辉映、浸润下,通过对中国佛教文学传统的继承与扬弃,使现代中国佛教文学产生了新的思想质素与发展趋势。在主题表达上,将现代佛徒的国民意识与传统佛教的菩萨行精神相结合;在个体的生命体验上,因应时代对佛学观念进行自觉、现代性的创造发挥;在社会角色的身份认同上,以艺术方式自觉、主动呼应战时国家的文化战略;在艺术生产方式上,有力推动作者结构的大众化与表现方式的现代化。这些新质素与趋势尽管不够成熟和完善,但为学界全面、深入认识和评估中国抗战文学对民族抗战的作用与贡献,提供了一个不可忽视的角度,对于当代中国佛教文学的复苏和发展也具有深刻的启示意义。The Buddhist anti-Japanese war literature in modern China was a phenomenon with special meanings in the history of literature occurring in a special time.Fostered by the spirit of resistance against Japanese aggression,this kind literature,through its inheritance and sublation of the tradition of Chinese Buddhist literature,brought on new ideological factors and a new developmental trend to Chinese Buddhist literature in modern times.Regarding the expression of themes,it combined the national consciousness of modern Buddhists with the ethos of Way of the Bodhisattva in traditional Buddhism;with respect to the life experience of individuals,it responded to times,creatively developing Buddhist conceptions and consciously infusing modernity into them;as for the identity of social roles,it took the form of art to consciously and voluntarily undertake the cultural strategy of the country in wartime;and in terms of the mode of artistic production,it had greatly increased the proportion of layman writers and the modernization of expression modes.These new factors and trends were not mature or perfect enough,but they provided an unnegligible angle for academia to completely and deeply understand and estimate the role and contributions of Chinese anti-Japanese war literature to the national war of resistance,and are profoundly inspiring to the revival and development of contemporary Chinese Buddhist literature.
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