传统戏场的“死”与“生”——“江西-湖广-四川”传统戏场现状及趋势  

The Death and Life of Traditional Theatrical Buildings:Current Situation and Trend of Traditional Theatrical Buildings Along the Multi-cultural Routes of “Jiangxi-Huguang-Sichuan”

作　　者：邬胜兰[1] 李晓峰[1] 

机构地区：[1]华中科技大学建筑与城市规划学院

出　　处：《华中建筑》2016年第3期180-184,共5页Huazhong Architecture

基　　金：国家自然科学基金资助项目(编号:51378230)

摘　　要：传统戏场曾是社会基层组织形式和娱乐生活的集中载体,在社会结构变化和娱乐资源丰盛的当代逐步沦为"死"的建筑,相当数量具有较高建筑、艺术、历史价值的传统戏场保存状况不容乐观。同时,也有一部分传统戏场在保护和利用方面进行着一些"生"的探索,状况良莠不齐。在对"江西-湖广-四川"传统戏场现状的探访中了解到传统戏场不同类型和层次的"死"与"生"之现状,希望对传统戏场的现状的讨论引起多层面的关注,借此探寻传统戏场在当代生活中融合的可能性。As the concentrated carrier of social grassroots organizations and entertainment life in old days, traditional theatrical buildings gradually become dead buildings in modern society which the social structure and the source of entertainment changed a lot. The current situation of many traditional theatrical buildings with high artistic and historical value is not optimistic. At the same time, there are parts of traditional theatrical buildings,which have been searching for the renewal way in the aspects of protection and utilization, although the results are good and bad, In the visit of traditional theatrical buildings along the multi-cultural routes of ＂Jiangxi-Huguang-Sichuan＂, the author has a acquaintance of different tape and level of the death and life of traditional theatrical buildings, hoping that the discussion of the preservation status of traditional theatrical buildings cause has been widely concerned, and searching for the integration way that the traditional theatrical buildings may live in the modern society.

关 键 词：传统戏场 江西-湖广-四川 当代生活 “死”与“生” 

分 类 号：TU-87[艺术—艺术设计]