全球风险中的华莱坞生态电影与地方想象  

Local Imagination of Huallywood Ecological Film in the context of Global Risk

作　　者：王冰雪[1] 

机构地区：[1]浙江传媒学院戏剧影视研究院,浙江杭州310018

出　　处：《新闻大学》2016年第1期15-20,38,共7页Journalism Research

基　　金：2015年度国家社科基金艺术学重大招标项目(15ZD01)阶段性成果;浙江省哲学社会科学重点研究基地成果;浙江传媒学院戏剧影视研究院专项课题成果

摘　　要：电影媒介促使生态议题通过银幕快速传播,引发对环境、能源、健康、安全等全球危机的关注。与全球生态电影相比,华莱坞生态电影实践中还存在:作品较少、题材窄化、反思性弱、生态意识不强等问题。其发展既需要在全球生态电影中获得启示,还需要在本土实践中拓宽选题视角,紧扣日常生活,将社会问题置入地方想象之中,以推进对生态环境的共同关注与积极回应。In the face of global risk, film medium not only let the rapid spread of ecological problems through the screen, also be a concern, prompting a broader reflection generated important media types. Compared with the global ecological film, local ecological film still have some problems, such as lack of ecological film, narrow range of subjects, reflective weakening and weak of ecological consciousness. To promote local ecological film needed the inspiration from global ecological film, to broaden the subject perspective in domestic practice, stick to the daily life, put social problem into local imagination, in order to promote the ecological environment of mutual concern and positive response.

关 键 词：风险社会 华莱坞电影 媒介生态 地方想象 本土实践 

分 类 号：J904[艺术—电影电视艺术]