泅渡于现代与传统间的闺秀——萧丽红《千江有水千江月》与计文君《剔红》等的比较  

The Lady Struggling Between Modernity and Tradition——The Comparison of Xiao Lihong's A Thousand Moons on a Thousand Rivers and Ji Wenjun's Ti Hong etc

作　　者：黄鋆鋆 

机构地区：[1]郑州大学文学院,郑州450001

出　　处：《安阳工学院学报》2016年第1期11-14,共4页Journal of Anyang Institute of Technology

基　　金：郑州大学研究生核心学位课程项目"台湾文学研究";立项编号:YJSXWKC201557

摘　　要：台湾女作家萧丽红的《千江有水千江月》,大陆女作家计文君的《天河》《剔红》等,都在社会变迁之际对传统和古典做出了回望,并从女性视角切入社会与历史、人性与心灵的变迁。她们的创作着重表现了女性在"无父"时代借由男性恋人和"她者"镜像的双重参照建构自我的跋涉之旅。但不同的是,二人笔下的闺秀选择了截然不同的两条路,一个在受伤后回到传统的怀抱,一个在挣扎中向着现代泊岸。女性是否真正建构了自我,也留给读者辨析与思索的空间。A Thousand Moons on a Thousand Rivers written by Taiwan Residents female author Xiao Lihong, and Tian He, Ti Hong etc written by the female author Ji Wenjun who comes from Chinese mainland, which look back to the traditional and classical in social changing, and the works also cut into the changes of society and history, hu- manity and soul from the female perspective. Their works focus on the hard trip of female who construct herself via the double reference of the male lover and female image in the era without father. What the difference is that the choices made by the two ladies written by them： one returns to the hug of traditional, the other one struggles towards the modern shore. Whether female truly construct herself or not leaves a space for readers to analysis and ponder.

关 键 词：萧丽红 计文君 传统文化 女性成长 “她者”镜像 

分 类 号：I206[文学—中国文学]