莫高窟隋唐图案的历史演变和文化交流  

On Duhuang Patterns and Cultural Exchange of the Sui and Tang Dynasties

作　　者：陈振旺[1,2] 

机构地区：[1]兰州大学历史文化学院,甘肃兰州730020 [2]深圳大学文化产业研究院,广东深圳518600

出　　处：《深圳大学学报（人文社会科学版）》2015年第6期144-150,共7页Journal of Shenzhen University：Humanities & Social Sciences

基　　金：广东省学科建设专项资金项目"基于文化安全的文化品牌困境及对策研究";国家科技支撑计划国家文化科技创新工程项目"丝绸之路文化主题展示服务系统及应用示范"(2013BAH40F02)

摘　　要：敦煌图案跨跃时空、交互融合,以中原文化为基础,兼收并蓄外来民族文化,在长期的历史变迁中体现了一种涵盖四宇、海纳百川的包容精神。本文以莫高窟隋唐图案的历史变迁和文化交流为核心,从历史、政治、经济、宗教思想、民族融合等角度研究莫高窟隋唐图案形成的历史文化语境,阐释莫高窟隋唐图案的历史演变与继承创新,分析隋唐时期南北大融合过程中不同文化的碰撞与融合,以卷草纹、联珠纹、葡萄石榴花图案为例阐释莫高窟隋唐图案与外来文化的融合及吐蕃占领时期的图案历史演变,旨在探究其与异域文化之间的交流、融合,进而形成隋唐独特艺术风格现象的内部和外部动因,借此探究历史视角下的莫高窟隋唐图案的美学意义和精神内核。Based on central plain culture and open to foreign cultures, Dunhuang patterns are timeless and boundless. In the long history of development, they represent the spirit of integration and inclusiveness. Focusing on the evolution of Dunhuang patterns and the cultural exchange of the Sui and Tang Dynasties, this paper discusses the historical context of the Dunhuang patterns, elaborates on their evolution and innovation, analyzes the collision and integration of different cultures during the cultural fusion between the south and the north in the Sui and Tang Dynasties, and interprets the integration of Duanghuang patterns with foreign cultures and the evolution of the patterns during Tubo occupation with curling grass patterns, Lianzhu grain, and grape pomegranate patterns as examples. The discussion is aimed to study the communication and integration of Dunhuang patterns with exotic cultures, the external and internal factors contributing to the unique artistic style of Sui and Tang Dynasties, thereby exploring the aesthetic significance and spiritual core of Dunhuang patterns of Sui and Tang Dynasties from a historical perspective.

关 键 词：莫高窟 隋唐图案 文化交流 文化语境 中西融合 

分 类 号：K879.41[历史地理—考古学及博物馆学]