海上画派的缘起与分期  

On the Origins and Stages of Shanghai Painting School

作　　者：王菡薇[1] 蒲燕[2] 

机构地区：[1]南京师范大学美术学院,江苏南京210042 [2]南京大学历史学院,江苏南京210003

出　　处：《艺术探索》2015年第6期6-10,共5页Arts Exploration

基　　金：文化部文化艺术科学研究项目"艺术品传播与艺术创造活力研究"(14DH49);江苏省文物局研究项目"江苏省南朝帝陵地表文物研究"(2014SK03);江苏省社科基金一般项目"江苏明清书画市场与社会变迁研究"(15YSB004);2014南京师范大学研究生教育教学改革研究与实践课题"元代书画研究与教学";南京师范大学江苏书画艺术研究中心研究项目;江苏省艺术强省建设研究基地研究项目

摘　　要：海上画派的形成受到时代发展的极大影响,有着深刻的社会经济根源。作为一种特殊的文化现象,它的崛起是商业兴起背景下移民文化发展的必然结果。从总体上看,海派绘画大多具有大胆、创新、不拘一格而又兼收并蓄的特征,且受商业文化的影响极为强烈,它虽为以文人情趣为价值标准的艺评家诟病,但其进步意义还是不容抹杀。目前学界对于海上画派的分期尚未形成定论,可以1896年任伯年逝世与1927年吴昌硕逝世为结点,将其发展历程分为三个时期。The forming of Shanghai painting school is heavily influenced by the development of times, which has a profound social and economic root, while as a special kind of culture phenomenon, its rising was the inevitable outcome of the development of immigrant culture under the background of commercial rising. Overall, most of Shanghai style of painting has bold,innovation, ingenuity and eclectic characteristics, and was strongly influenced by commercial culture, it was criticized by the literati temperament oriented art critic, but its progressive significance shall not be ignored. Stages for the school has not yet concluded by academia at present, this essay argues that the years of death of Ren yi and Wu changshuo in 1896 and 1896 can be seen as node, and its development can be divided into three periods.

关 键 词：海上画派 缘起 分期 

分 类 号：J209.9[艺术—美术]