游击谋略、骂世心态与抗争立场:1930-1937年间左翼作家的杂文创作(下)  

Guerrilla Strategy,Cursing Mentality and Fighting Stance:Left-wing Writers' Essays Creation between 1930 to 1937( Ⅲ)

作　　者：陈红旗[1] 

机构地区：[1]嘉应学院文学院,广东梅州514015

出　　处：《嘉应学院学报》2015年第12期59-62,共4页Journal of Jiaying University

基　　金：国家社会科学基金青年项目(10CZW058);教育部人文社会科学研究青年项目(09YJC751035);广东省高等学校学科与专业建设专项资金科研类项目(2013WYXM0106);广东省高等学校人才引进专项资金项目(粤财教〔2013〕246号)

摘　　要：在1930-1937年这段混乱的社会转型期中,旧有的思想、道德、文化、传统和历史都为左翼作家的杂文创作提供了丰厚的嘲骂素材。从《海燕》《夜莺》等刊物上刊载的杂文可知,"抗争"和"救国"成为左翼文艺界介入现实的直接手段:他们通过杂文创作彰显了自身的爱国情怀、民族立场和抗争立场,也通过激昂的情绪表达点燃了日益颓废迷茫的民众尤其是进步青年的抗日激情和胜利信心。1930年以后的左翼文人已经不再像前人那样把杂文看作文学的"边角余料",他们在政治压力空前的时代里用杂文开辟了另外一条文学道路,从而获得了应有的身份认同、时代光环和文学史地位。In chaotic social transition between 1930 and 1937,old ideas,morals,culture,tradition and history provided abundant cursing martial to the essays creation of left- wing writers. From essays of Swallow and Nightingale ＂Resistance＂and ＂Nation Salvation＂become direct means for left- wing writers to intervene in reality. Writers not only showed their patriotism,national and fighting stance,but highlighted anti- Japanese passion and confidence of the public especially the progress youth who are gradually decadent. After 1930,essays were no long regarded as leftover bits and pieces by left- wing writers. On contrast,in unprecedented political pressure,left-wing writers opened up a new road to literature with essays so that they can obtain proper identity,halo era and the status in literary history.

关 键 词：左翼文艺界 杂文创作 《海燕》 《夜莺》 抗争立场 

分 类 号：I206.6[文学—中国文学]