论《灵棋经》繇辞的诗体特征及取象艺术与意义  

On the Feature of Poetic Style and Artistic Image as Well as Their Meaning of YaoCi in LingQiJing

作　　者：田胜利[1] 

机构地区：[1]南京大学文学院,江苏南京210097

出　　处：《天中学刊》2016年第2期49-54,共6页Journal of Tianzhong

基　　金：中国博士后基金一等资助项目(2015M570423)

摘　　要：《灵棋经》的占繇辞,称之为"象辞",是四言体诗歌,引《诗》灵活、押韵工整、句型多变,四四、四六、四八的偶数句型结构是诗歌的标识之一。《灵棋经》占断是数字的游戏,卦形符号由数字与上中下组合而成,数字扣合卦象,还用于象辞的编写,深刻的象征义和《周易》数理一脉相承。《灵棋经》占断辞的运意取象是象征手法的运用,和卦形、卦名含义有着千丝万缕的联系。《灵棋经》占断象辞可称之为"类签诗",它的诗体艺术对后代签诗的生成起着推动作用,二者是源与流的关系。The YaoCi of LingQiJing is said to be ＂XiangCi＂, it is a kind of four-word poem, and famous for its flexible style of citing poem, rhyming, and changeable sentence. It is identified by Four-four, four-six, four-eight sentence pattern of even number. We could say the judge of LingQiJing is a game, the symbol of divinatory symbols combined by figures and groups of the middle and lower. Figures are close to image, and used to compile XiangCi which come down in one continuous line of ZhouYi. LingQiJing utilized the method of symbolism, having something to do with the image and name. The XiangCi of LingQiJing belongs to semi- forttme-teller poem and the feather of its poetic art drives the rise of later fortune-teller poem.

关 键 词：灵棋经 繇辞 句型 象征 签诗效应 

分 类 号：I222[文学—中国文学]