新世纪文艺批评人民性标准建构述评  

Construction of Affinity- to- the-People Standard of Literary Criticism in the New Era

作　　者：姜桂华[1] 

机构地区：[1]沈阳师范大学文学院,辽宁沈阳110034

出　　处：《沈阳师范大学学报（社会科学版）》2016年第1期98-101,共4页Journal of Shenyang Normal University(Social Science Edition)

基　　金：辽宁省社会科学规划基金项目(L11BZW008)

摘　　要：文艺的人民性,是1942年毛泽东发表《在延安文艺座谈会上的讲话》以后在中国流行开来的一个现代文艺观念、文艺价值取向。然而,1980年代中后期至1990年代中后期,中国文坛言及文学人民性的声音趋弱。新世纪以来的十几年间,直面文学危机、重建文艺批评人民性标准的声音再次响起,诸多建构主张各有启发意义,各有值得商榷之处。王晓华、陈晓明、孟繁华等先生均在新世纪文艺批评人民性标准建构问题上发表观点,为文学人民性标准的进一步建构拓展思路。Affinity to the people, a modern literary concept and value orientation of literature and art, became popular after Mao Zedong published＂Speech at Yan＇an Forum on Literature and Art＂in 1942. However,in the Chinese literary world,affinity to the people was seldom talked about in the late 1980＇s and the late 1990＇s. People began to face the crisis of literature and rebuild literary criticism and the standards of affinity to the people more than 10 years after entering the new century. Many of these construction claims have enlightening significance and meanwhile need further discussion. The current research makes a comment on several representative claims in order to highlight the significance of the standards of literary affinity to the people and develop ideas for further construction of the standards of literary affinity to the people.

关 键 词：新世纪 文艺批评 人民性标准 

分 类 号：I206.7[文学—中国文学]