新都市电影的类型建构  

The Type Construction of the New City Movie

作　　者：周婧[1,2] 

机构地区：[1]山西师范大学戏剧与影视学院 [2]山西师范大学教育技术与传媒学院

出　　处：《中州学刊》2016年第1期155-160,共6页Academic Journal of Zhongzhou

摘　　要：新都市电影的崛起改变了中国电影市场的格局。随着中国现代化都市文化的形成与电影观影群体的转移,新都市电影形成了镜像式的叙事空间。新都市群体通过青春幻象的狂欢与破灭、消费价值的追寻与失落、梦想想象的体验与失控完成了集体式的话语重构。新都市电影在清新唯美的风格与浪漫小资情调中演绎悲剧的爱情故事和情感的困惑迷失,形成风格与叙事的互逆和倒置,并在群体思维的影像画面中渗透着时代发展的文化逻辑。New city movie has become one of the most important film genres in Chinese business movie in the new era, and its rise has changed the structure of Chinese film market. With the formation of modernized city culture and the transformation of film audience, new city movie has formed the narrative space of image. New city group finished the reconstruction of collective discourse through revel-ry and overturn of youth fantasy, pursuit and loss of consumption value, experience and runaway of dream and imagination. New city movies deduce tragic love stories and emontional problems through refreshing style and romantic petty bourgeoisie sense, form reciprocal and reverse style and narration, and at the same time, the cultural logic of time development is infiltrated into the screen picture of group thinking.

关 键 词：新都市电影 新都市群体 文化逻辑 集体话语 

分 类 号：J90[艺术—电影电视艺术]