殷商时代的巫乐考察  

A Research of Witchcraft Music in the Shang Dynasty

作　　者：赵容俊[1] 

机构地区：[1]中国人民大学历史学院历史系出土文献与中国古代文明研究协同创新中心

出　　处：《上海文化》2016年第2期34-39,125,共6页Shanghai Culture

摘　　要：人类历史的长河中,巫教曾存在悠久的时间。尤其当鬼神思想占有支配地位之时,巫教必然渗透于社会生活的各领域,文化艺术亦不例外。特别在举行祭祀时,一般多与乐舞结合,遂形成语言(祭词)、声音(音乐)及形体(舞蹈动作)相结合的综合文艺形式。各种原始艺术,由于巫术的运用而始得独特的发展。中国古代的巫术对艺术,尤其对于歌舞等音乐的影响,已显而易见。因巫乐较多运用于祈雨活动,故本文主要以殷商时期的祈雨巫乐的重要特色为主,对殷商时期的巫乐进行考察与探讨。Witchcraft has a long history in the world. When the belief of gods and ghosts dominates the thoughts, witchcraft would inevitably penetrate all the fi elds of the social life including arts and culture. Especially while carrying out sacrifi ce rituals, they are always accompanied with music and dance, which thus conbines into a comprehensive art with words(praying words), sounds(music) and forms(dancing acts). Therefore, all these primitive art forms are given opportunities by rituals to a specially booming development, which is obvious in China. This paper makes a probe into the witchcraft music for rain in the Shang Dynasty since sacrifi ce at that time is mostly given to pray for rain.

关 键 词：殷商时期 传统文献 甲骨卜辞 考古遗物 巫乐 

分 类 号：J609.2[艺术—音乐]