何处是江南?——论苏童《黄雀记》的孤独主题  

Where is the South of the Yangtze River?——The Study of the Theme of Loneliness in Su Tong's Huang Que Ji

作　　者：刘权[1] 

机构地区：[1]安徽大学文学院,合肥230039

出　　处：《成都师范学院学报》2016年第2期59-62,共4页Journal of Chengdu Normal University

摘　　要：苏童小说《黄雀记》从生命个体的孤独表现与突围、意象群所承载的孤独意蕴等层面完成了对小说孤独主题的建构。它通过在世俗社会前或逃离或妥协或决裂的不同人物的生命历程表现了异质孤独、受迫孤独与生存孤独三种不同的孤独类型,并运用魂、家、医院与红脸婴儿等富有象征性的诸多意象塑造出一个具有强烈批判意味的孤独世界,集中表现了在物欲横流的世俗社会中江南文化晦暗一面的凸显以及社会经济发展时人们在精神层面的迷失。In the new novel Huang Que Ji,Su Tong completes the construction of the theme of loneliness in two aspects which include the loneliness of life individual and the loneliness of the image group. It focuses on the three different lonely types of the characters＇ performance,such as the heterogeneous lonely,forced lonely and survival lonely,and in secular society,different characters have different choices,for instance,fleeing or compromising or breaking up in the face of survival predicament. Su Tong also shows the negative side of the culture of south of Yangtze and highlights the lose in people＇s spiritual level,by composing some symbolic imagery groups which incorporate the soul,home,hospital and red faced baby,etc.

关 键 词：黄雀记 孤独 意象 江南文化 

分 类 号：I207.42[文学—中国文学]