卢前戏曲的本事主旨与情感寄托  

The Gist of Archetypal Stories and Emotional Sustenance in Lu Qian' s Chinese Traditional Opera Works

作　　者：左鹏军[1] 

机构地区：[1]华南师范大学国际文化学院,文学院

出　　处：《社会科学》2016年第3期162-174,共13页Journal of Social Sciences

基　　金：国家社会科学基金项目"中国近代文体观念与文体演变研究"(项目编号:10BZW071);国家社科基金重大项目"近代戏曲文献考索类编"(项目编号:14ZDB079)的阶段性成果

摘　　要：卢前的杂剧《饮虹五种》或描写古代人物,或记述当代故事,均有文献事实根据,既叙史事时事又寓道德评价,表现出明显的纪实作风;《女惆怅爨》三种均写古代杰出女性故事,表现出强烈的讽世伤时情绪,寄托着深沉的时局感怀与人生感慨;《楚凤烈传奇》写古代乱离故事,寄寓对时局的关注和对国家民族命运的忧患,表现出坚守传统道德与戏曲体制的倾向。卢前的杂剧传奇产生于近现代社会动荡、文化变革之际,表现出深沉的时事感慨和情感寄托,反映了杂剧传奇最后阶段的处境与变化,具有独特而重要的戏曲史意义。The Zaju of thefive librettos of Yin Hong describes personages of ancient times or narrates stories of the time, which are all based on literary facts, exhibiting an obvious non-fiction style with historical and current events and moral evaluations at the same time. The three librettos of Melancholy stoves of women （Nti Chou Chang Cuan ） narrate stories of outstanding women of ancient times, expressing strong admonitory and worried emotion and reposing heavy laments of the current political situation and personal fate. Chuanqi of Chu Feng-Lie narrates stories about homeless of ancient times, embodying attention about current political situation and concerns about fate of the nation, reflecting the tendency of sustaining traditional morality and forms of traditional opera. Lu Qian＇s Zaju and Chuanqi works, which issued from the modern times of China of social unrest and cultural transformation, were expressing sad feeling about current events and emotional sustenance and reflecting the circumstances of Zaju and Chuanqi in the final period, and were provided with unique and important significances in the history of Chinese traditional opera.

关 键 词：卢前 杂剧传奇 本事主旨 情感寄托 

分 类 号：I237[文学—中国文学]