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作 者:易闻晓[1]
出 处:《南京大学学报(哲学.人文科学.社会科学)》2016年第1期7-10,159,共4页Journal of Nanjing University(Philosophy,Humanities and Social Sciences)
基 金:全国高校古籍整理研究项目"马融集校注"(1121);国家社科基金项目"中国古代诗法理论的现代阐释"(12BZW013)
摘 要:辞赋联绵字的祖述,或以重言拟声仍用、声韵简明不变,或以《诗》《骚》见载、简易相援。联绵字本于音义的形变,或增一字偏旁以使二字整饬,或字无定形而因人所好,或以一篇两用而免重复。本于声韵的形义之变,多援《楚辞》体物语,后世随物赋形,更改偏旁,致使形义转变。转音以变形义,则是基于转音发生的形义转变,从而衍生联绵字的转音系列。凡此辞赋联绵字的祖述变易,大都出于创作学的语用考量。The variation of binome words in [WTBX]cifu[WTBZ]poetry is actually an onomatopoetic duplication with invariable consonants and vowels,following [WTBX]Shi[WTBZ] and [WTBX]Sao[WTBZ] styles. The transformation of binome words was based on sound and sense,which made regular two-character phrases by adding radical parts,using irregular characters freely or having different references in the same context to avoid repetition. The variation based on consonants and vowels was originated in antiquity from [WTBX]Chu Ci[WTBZ]. Written characters were made,in accordance to real objects,by changing radical parts,which resulted in different glyphs and sense. To change glyphs and sense so as to have sound transformation was made possible through binome words derivation. Therefore,the variation of binome words in fu was intended mostly for word creation.
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