媒介形象与父权规制——论青春家庭剧中都市女性形象的父权制内涵  

Media Image and the Patriarchal Regulation——The Patriarchal Connotation Hidden in Urban Female Images in Contemporary Family Dramas on Youth

作　　者：苏美妮[1] 

机构地区：[1]湖南大学新闻传播与影视艺术学院,湖南长沙410082

出　　处：《华中师范大学学报（人文社会科学版）》2016年第1期102-107,共6页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：2012年度国家新闻出版广电总局课题"电视剧对当代青少年价值取向的影响及对策研究"(GD12-18);2013年度国家社会科学基金艺术学项目"社会化网络时代文化产业新模式研究"(13BH083)

摘　　要：青春家庭剧中的都市女性类型多样,大致有"他者型女性"、"自我型女性"、"依附型女性"三类,每一类女性形象背后都潜藏着"父权制"隐秘而强大的宰制力量。对"他者型女性"的规训体现了父权对女性社会价值的界定权力;对"自我型女性"的惩诫体现了父权话语对女性行动意义的言说权力;对"依附型女性"的矛盾心态体现了父权制既压迫女性也束缚男性的特点。现代女性在电视剧中鲜少被描绘为果敢、独立、专业、自由、智慧的女性形象,这与现实生活中广大女性对社会的承担背道而驰。这一方面显现了传统父权文化对女性价值低定位的强大意识形态影响;另一方面也显现了当代媒介文化对女性主体性价值缺乏认同与倡导。There are various types of urban female images in contemporary family dramas on youth,which could be commonly divided into ＂the other female＂,＂the self female＂ and ＂the dependent female＂.There is a kind of secret and powerful strength of ＂patriarchy＂ hidden behind each kind of female images.The discipline to ＂the other female＂reflects the patriarchy＇s power of defining the social value of woman;the punishment to ＂the self female＂ means the speaking power of patriarchal discourse on woman＇s actions;the ambivalence to ＂the dependent female＂ reflects the facts that,patriarchy oppresses both male and female.This paper reveals that,on one hand,the traditional patriarchy culture has strong ideological influence on woman＇s low value proposition.On the other hand,modern media culture lacks self-identity and advocacy on woman＇s subjective value.

关 键 词：青春家庭剧 父权制 女性形象 

分 类 号：C913.68[经济管理]