论《马人》的主题和叙事模式  

On the Thematic Mode and Narrative Patterns of The Centaur

作　　者：秦丹丹[1] 

机构地区：[1]金陵科技学院外国语学院,江苏南京211169

出　　处：《韩山师范学院学报》2016年第1期26-30,共5页Journal of Hanshan Normal University

摘　　要：从弗莱的罗曼司理论出发,分析厄普代克《马人》的主题和叙事模式。回溯传统、忠实于神话原型的《马人》在主题上延续传统文学的追寻母题。与此同时,文本又多处对追寻母题进行戏仿。这是一部游离于真实和神话世界之间、横亘于以人为本的小说和以神为本的神话之间的文本罗曼司。In light of Northrop Frye＇s theory on romance, the present thesis sets out to analyze the the-matic mode as well as the narrative patterns of John Updike＇s The Centaur. True to the traditional quest motif,The Centaur demonstrates fidelity to God-centered myth by embodying Greek characters and plots. At thesame time, it is also a parody of the quest myth. For its simultaneous treatment of both Gods in myth and menin novel, The Centaur is a typical American romance.

关 键 词：文本罗曼司 《马人》 追寻母题 戏仿 

分 类 号：I106.4[文学—世界文学]