《洛神赋》:从文学到绘画、历史  

“Rhapsody of the Goddess Luo”:From Literature to Painting and History

作　　者：戴燕[1] 

机构地区：[1]复旦大学中文系

出　　处：《文史哲》2016年第2期29-47,165,共19页Literature,History,and Philosophy

摘　　要：《洛神赋》是三国时期曹植的作品,它本来只是曹植受宓妃传说启发、效仿《神女赋》而作,但由于自东晋以后,《洛神赋》也成为流行的书画题材,画家及观众的视角,使得对它的解读发生了改变。同时由于甄后之死,在魏明帝时代就是颇受关注的话题,融入很多想象,再与《洛神赋图》结合,便为《洛神赋》增添了传奇色彩,既赋予它"感甄"的内涵,也创造出一段爱的历史。'Rhapsody of the Goddess Luo' written by Cao Zhi during the Three Kingdoms period,was a work originally inspired by the legend of Consort Fu,and following the example of'Rhapsody of the Goddess'.Since this rhapsody became a popular theme of painting and calligraphy after the Eastern Jin Dynasty,the interpretation of it also changed with the perspectives of the artists and audiences.Meanwhile,the death of Empress Zhen which had been drawing attention in the reign of Emperor Mingdi of Wei,was added to much imagination,and then combined with the'Painting of Rhapsody of the Goddess Luo',thus brought more legendary sense to the rhapsody,which both endowed it the meaning of recalling Empress Zhen,and created a history of love.

关 键 词：宓妃 神女 洛河之神 洛神赋图 

分 类 号：I207.22[文学—中国文学]