空间的生产与弑父的现代性——对《窃听风云3》现代性内涵的空间解读  

The Production of Space and Patricide of Modernity:On Spatial Interpretation of the Connotation of Modernity in Overheard 3

作　　者：杨有庆[1] 

机构地区：[1]兰州交通大学文学院,甘肃兰州730070

出　　处：《宜宾学院学报》2016年第1期91-95,110,共6页Journal of Yibin University

基　　金：国家社会科学基金"空间批评与西方马克思主义文论研究"(12CZW001);教育部人文社会科学青年基金"西方马克思主义文学批评的空间传统"(12YJC7752036)

摘　　要：《窃听风云3》是一部极具现实关怀和现代性内涵的电影作品,它通过展示城市化过程中对于空间的个人需要和社会需要之间的矛盾与斗争,图绘了资本主义发展中如何将空间纳入生产环节,以及资本逻辑主导的"空间的生产"——资本主义对乡土社会的空间规划与改造——所带来的冲击和异化。在资本驱使下展开的对农业文明和乡土社会的弑父现代性,一方面体现为城市化进程中人与自然环境关系的逐渐疏离和异化,另一方面则表现为资本主义导致维系人与人之间关系的传统伦理道德的陨落。Overheard 3 is a movie with extremely strong realistic solicitude and modern connotation. This movie represented the contradiction and struggle between individual and social needs of space in the process of urbanization. It described how space was brought into production link of capitalism,and the violence of globalization as well as the consequence caused by＂the production of space＂which was controlled by capital logic： the impact and alienation on rural society as spatial planning and reconstruction of capitalism. In the perspective of capitalism,its consequence meant the patricide of agricultural civilization and rural society.On the one hand,they were embodied in the alienation between human and nature in the process of urbanization. On the other hand,they meant the loss of traditional ethics caused by capitalism.

关 键 词：窃听风云3 乡土社会 城市化 空间的生产 现代性 弑父 

分 类 号：J905[艺术—电影电视艺术]