明初无名氏杂剧《危太朴衣锦还乡》相关问题考辨  

On Related Issues about the Anonymous Zaju WEI Tai-pu Returning to His Hometown with Honors in the Early Ming Dynasty

作　　者：王平[1] 

机构地区：[1]安庆师范学院文学院,安徽安庆246011

出　　处：《安庆师范学院学报（社会科学版）》2016年第1期10-14,共5页Journal of Anqing Teachers College(Social Science Edition)

基　　金：国家社科基金一般项目"元末明初戏曲研究"(11BZW064);教育部人文社科规划项目"元末明初杂剧研究"(07JA751017);安徽省重大教研项目"高校古代文学教学与地方戏曲‘非遗’相结合的创新模式探索"(2015zdjy110)

摘　　要：明初无名氏杂剧作品《危太朴衣锦还乡》在《曲录》中被误题为《危太朴后庭花》,错误来源于《啸馀谱》。《啸馀谱》之错,在于该书混淆并误刻了"影写洪武间刻本"《太和正音谱》中"古今无名氏杂剧一百一十本"前后相邻两个剧目名称。《危太朴衣锦还乡》的主题,是时人借以暴露、讽刺、批判危素,以达到宣扬"忠君"思想之目的。In Qu Catalog,the anonymous Zaju WEI Tai-pu Returning to His Hometown with Honors in the Early Ming Dynasty was mistakenly collected as WEI Tai-pu and Backyard Flowers,originating from Xiaoyu Music Manual in which two neighboring drama titles in Taihe Music Manual were engraved and printed wrong. The theme of WEI Tai-pu Returning to His Hometown with Honors is to expose,satirize and criticize WEI Su in order to propagate the idea of being faithful to the emperor.

关 键 词：无名氏杂剧 《危太朴衣锦还乡》 危素 

分 类 号：I207.37[文学—中国文学]