谈歌小说文体与人物塑造的创新与突破——以《大舞台》为个案  

The Innovation and Breakthrough of Literary Style and Character Building of TAN Ge's Novels——Taking Grand Stage as an Example

作　　者：田天[1] 田建民[2] 

机构地区：[1]河北大学新闻传播学院,河北保定071002 [2]河北大学文学院,河北保定071002

出　　处：《河北大学学报（哲学社会科学版）》2016年第1期46-50,共5页Journal of Hebei University(Philosophy and Social Science)

基　　金：2015年度河北省教育厅青年基金项目"中国文学跨文化传播路径探析"(SQ151206)

摘　　要：《大舞台》是谈歌走出了"三驾马车"心态,以一种超越政治与功利、世俗与道德的自由潇洒的心态完成的一部成功的长篇巨制。作者采用了边叙述边批注评说的一种新的小说写作方式,其精彩的批注或点评,不仅增强了作品的批判意识和思想深度,而且与小说的叙述融为一体,犹如在过去与现在、想象与现实之间搭建起一座座桥梁,使读者跟随作者自由地在其中游走穿行。这是创新小说文体形式的一种成功尝试。在人物塑造上,着重表现人物自身性格的内部矛盾冲突,达到了人物内心的真实和人性的深度,表现出人物命运的悲剧性。Tan Ge writes GrandStage,which shows that he is not restrained by the attitude of＂Three Carriage＂.He has a kind of beyond the political and utilitarian,secular,moral free,natural and unrestrained attitude to complete this successful novel.The author uses a new way of novel writing that is the narration with the writers＇ comment.His wonderful comments,not only enhance the critical consciousness and the profundity of the writing＇s thoughts,but also melt with the novel＇s narrative,like bridges which connect the past and the present,imagination and reality,so that readers follow the author＇s thoughts freely.This is a successful attempt to innovate the style of the novel.In the character shaping,he focuses on the characters＇ internal conflicts,to achieve the truth of characters＇ heart and the depth of human nature,and to show the fate of the tragic characters.

关 键 词：谈歌 《大舞台》 文体 人物 创新 

分 类 号：I206.7[文学—中国文学]