《文心雕龙》文体通义  

A Comprehensive Understanding of Stylistics Addressed in The Literary Mind and the Carving of Dragons

作　　者：邓国光[1] 

机构地区：[1]澳门大学中国语言文学系

出　　处：《兰州大学学报（社会科学版）》2016年第1期5-12,共8页Journal of Lanzhou University（Social Sciences）

摘　　要：《文心雕龙》全书义脉纵贯,"枢纽"五篇是文理的基础,而"上篇"二十篇之论文体,与"下篇"之论文术,体用相依,而总归撰作的用心。此心为总持文体的关键。故论《文心雕龙》文体之说,必须根本其意义脉络,则其中的"常理"便显然可见。刘勰寻绎文章之体的常理,是为立言事业建立"极",即树立以崇高的标准。刘勰的用心,成功地实现于"上篇"文体观念的建构之中,《宗经》"六义"涵盖所有文体的理想境域,以"雅丽"为整套文体观念的灵魂,心为根本所在。本文通观《文心雕龙》文体论,从而显照其一以贯之的文体"常理"。The Literary Mind and the Carving of Dragons is a comprehensive work of literary criticism compiled by Liu Xie of the Liang dynasty.Five chapters are of literary theories,thus forming the pivot of the whole book.Twenty chapters in Part One talk about styles,while Part Two mainly discusses literary creation.The integration of styles with literary creation depends on the mind of the writer,which is the root of literary styles and creation.Therefore,stylistics discussed in The Literary Mind and the Carving of Dragons should be comprehended through this approach,thus the understanding of the ＂common sense＂ suggested by Liu Xie as the ultimate goal of literary aesthetics.The gist of Liu Xie＇s theory is specifically embodied in the scaffolding of Part One.The six types of meanings discussed in ＂Essence of Classics＂ cover the ideal performance of stylistics typically represented by such features of ＂being elegantly refined and gracefully balanced＂ where the mind of the writer resides.By focusing on stylistics addressed in The Literary Mind and the Carving of Dragons,this paper has also explored the connotation of ＂common sense＂.

关 键 词：《文心雕龙》 《宗经》“六义” 文体 心 常理 雅丽 

分 类 号：I206.2[文学—中国文学]