明清小说评点“远近”范畴的美学考索  

The Aesthetics of "Distance" in Chinese Novel Criticism of the Ming and Qing Dynasties

作　　者：郭守运[1] 

机构地区：[1]华南师范大学城市文化学院人文系

出　　处：《中国社会科学院研究生院学报》2016年第2期107-111,共5页Journal of Graduate School of Chinese Academy of Social Sciences

基　　金：国家社科基金项目:"逸"范畴的审美空间研究(编号12BZW009)阶段性成果之一

摘　　要：作为中国古典美学范畴之一,"远"的内涵和外延经历了一个漫长的嬗变过程,深刻影响文人艺术家的审美旨趣。作为"远"的核心子范畴,明清小说评点家常用"远"和"近"这一正反组合范畴来评点小说文本,呈现中国古典小说结构之"工"、情节之"曲"和场景"如画"的文体特征,开创出民族特色浓郁的小说审美维度和价值取向。中国明清小说评点,借鉴诗论、画论等多种艺术批评术语,从不同层面进行小说文体的诗性评论,具有对称性、对仗性等诗歌化的民族特征。As one of Chinese classical aesthetics category, ＂distance＂ has experienced a long history of evolution in its intensions and extensions,deeply affecting the aesthetic purport of artists.The literary critics of Ming and Qing dynasties often applied the category ＂ distance＂ to the novels in question,highlighting such stylistic features as the structural ＂neatness＂,the ＂circuitous＂ ploting and ＂picturesque＂ scene setting of Chinese classical novels,and creating the unique aesthetic values of Chinese novels.They employ terms from art criticism,including poetry criticism and painting criticism,to comment on the stylistic features in the novels of Ming and Qing dynasties,showing the particular aesthetics of the Chinese nation.

关 键 词：小说评点 远近 虚实 观画 

分 类 号：I207.41[文学—中国文学]