顾佛影杂剧的本事人物与情趣意旨  

Archetypal Stories,Characters and Artistic Tastes in Gu Fo-Ying's Zaju

作　　者：左鹏军[1] 

机构地区：[1]华南师范大学国际文化学院,广州510631

出　　处：《复旦学报（社会科学版）》2016年第2期79-86,共8页Fudan Journal（Social Sciences）

基　　金：国家社会科学基金项目"中国近代文体观念与文体演变研究"(项目批准号:10BZW071);国家社科基金重大项目"近代戏曲文献考索类编"(项目批准号:14ZDB079)的阶段性成果

摘　　要：顾佛影早期在上海所作《谢庭雪杂剧》取材于古代人物故事,通过表现女性杰出才华反映自己的生活情趣、创作态度和艺术趣味,也表现出比较进步的思想文化观念;后期作于四川的《四声雷杂剧》则取材于抗日战争时期的真实人物故事,表现了坚定的反抗意志和强烈的爱国情感,代表了顾佛影杂剧创作的纪实精神、思想特点和艺术水平,具有时代信史和作者心史的双重价值。顾佛影杂剧对于元杂剧体制的有意突破和对于明清南杂剧体制的自觉延续,则反映了在近现代戏曲变革过程中对于杂剧体制变革与守护、延续与创新的自觉选择,并留下了丰富的思想艺术经验。Zaju of Xie Ting Xue,written by Gu Fo-ying in Shanghai in his early years,was based on ancient characters and stories. It reflects the life,artistic tastes and attitudes of creation of the author by presenting the great talents of female characters,manifesting an advanced cultural concept at that time. On the other side,Zaju of Si Sheng Lei based on real characters and stories during the Sino-Japanese War,showing the firm will of resistance and patriotism,represented the spirit of non-fiction,the characteristic of thinking and the level of art. It provided double value of true history of the time and autobiography of the author＇s mind. Gu Fo-Ying＇s intended breakthrough to the forms of Zaju of the Yuan Dynasty and his intended continuation of the forms of Zaju in the South areas of the Ming and Qing Dynasties reflected a conscious choice between reforming and defending,continuing and innovating of the forms of Zaju in the reforming process of traditional operas in modern times and had left valuable philosophic and artistic experience to the world.

关 键 词：顾佛影 《谢庭雪杂剧》 《四声雷杂剧》 本事人物 情感寄托 

分 类 号：I207.3[文学—中国文学]