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作 者:邱向宇[1]
机构地区:[1]广东技术师范学院教务处,广东广州510665
出 处:《广东技术师范学院学报》2016年第3期15-21,共7页Journal of Guangdong Polytechnic Normal University
摘 要:"马共"历史书写是研究马华文化建构的一种新意义的视角。1963年马来西亚成立后,"马共"成为马来西亚政治文化历史的禁区。然而,历史的禁区又是黄锦树和黎紫书两位新生代马华代表作家,无法回避的历史伤痕体验,蕴含着如何建构马华文化的深刻课题。他们以第三人称有限视角,追溯"马共"历史,颠覆了"马共"的形象,构架了马华族群历史伤痕的主题表达。他们对马华"双重他者"边缘处境的认知,又无意中表现"马共"被历史尘封失落的英雄诗篇,由此寄托自身及族裔深沉的身份包袱与存在焦虑。他们在巧妙的历史叙事中,借助历史阙如和历史在场的探索方式,表达对马华族群构建文化自主性的焦虑和困惑,使新生代的创作拥有了特殊的文学史价值。The historical writing of Malaysia Communist Party provides a new perspective for Malaysian Chinese cultural construction study. Since Malaysia was found, the Malaysian Communist Party has been the restricted area in Malaysian politics, history and culture. This area however, is the painful experience of the representative writers Huang Jinshu and Li Zishu. Which can't escape It contains the profound issues of how to build Malaysian Chinese culture. They trace the Communist Party history by using the third-person perspective,and create the bad image of Malaysian Communist Party. But they express their burden and anxiety of existence by unconsciously revealing the lost heroic history when they recognize their "double otherness" situation. They express the anxiety and confusion of Malaysian Chinese cultural construction by historical narrative combining history presence and absence. Because of this, special value of literary history can be seen in the works of this new generation of writers.
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