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作 者:徐胜男[1]
出 处:《琼州学院学报》2016年第1期56-61,共6页Journal of Qiongzhou University
摘 要:"等待"是中国古代爱情叙事类文学中女性形象的一个共同属性,《候人歌》首开其端。女性的等待可分为显性等待和隐性等待两种,她们在等待中获取爱情、婚姻、社会价值以及男性的认同。男权社会的社会现实以及社会意识形态宣传的固化是形成女性被动性的现实原因,独特民族性原因以及强大的文化传统因素则是其深层原因。男女与君臣之间异质同构的关系,女性等待展现出的阴柔与阳刚两种审美特质符合传统文化与男性人格理想,这都使女性的等待成为了生生不息的诗意表达体。Song of Waiting first sets up the theme of"waiting"which is a common attribute of the female images in the ancient Chinese narrative love literature. Their waiting can be divided into two: the dominant waiting and the recessive one. They are waiting for love,marriage,social value and man's approval. The social reality in the patriarchal society and the curing thought of social ideological propaganda are the real reasons of woman's passivity,while the unique national character and the powerful cultural traditions are the deep causes. The isomorphism relationship between the two groups of men-women and emperors-ministers,and the feminine and masculine aesthetic characteristics in woman's waiting which conform to the traditional culture and man's personality ideal,make woman's waiting to be one kind of the endless poetic expression.
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