明清小说之文士群像与社会风习  

The Group Images of Scholars and Social Customs in Novels of the Ming and Qing Dynasties

作　　者：秦川[1] 

机构地区：[1]九江学院学报编辑部,江西九江332005

出　　处：《上海师范大学学报（哲学社会科学版）》2016年第2期74-83,共10页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

摘　　要：明清小说中的文士,从主流意义上说,无论是从纵向来看整个通代小说史,还是横向来看某朝不同类型的小说作品,都存在着恶习与良好风习并存的现象,且这两种决然不同的风习皆通过这两类决然不同的人物群像及其行为表征反映出来。形成这种并存现象的社会历史根源在于人性与政治思想、文化传统、社会道德、世态人心之间的多重矛盾及其调和的结果。明清小说则形象地再现了那个时期的多重社会矛盾以及决然不同的社会风习,而最终体现出的总是以正面大于负面、正义战胜邪恶的运动规律走向近代与近代与现代,给人以振奋和鼓舞。Scholars in novels of the Ming and Qing dynasties had either evil customs or good customs,which were shown by two groups of scholars with distinctively different images and behaviors.The historical origins of co-existing evil customs and good customs in scholars were the results of multi-contradictions between human nature and political ideology,cultural tradition,social morals,outlooks and values.Novels of the Ming and Qing dynasties vividly reflected the multi-social contradictions and different social customs of that period.The novels shed light on readers that justice always triumphed over wickedness and positive overweighed negative.

关 键 词：明清小说 文士群像 社会风习 

分 类 号：I207.41[文学—中国文学]