杜比全景声电影混录棚系统案例探究(下)——以和声创影杜比全景声混录棚为例  

Research of movie sound mixing studio based on Dolby Atmos system(Part 2)——Take anexample of SOUNDFIRM's Atmos studio

作　　者：叶思成[1] 张力元[1] 李英若 

机构地区：[1]中国传媒大学艺术学部音乐与录音艺术学院,北京100024

出　　处：《电声技术》2016年第3期33-36,44,共5页Audio Engineering

基　　金：北京市大学生科研计划项目(BW2015045)

摘　　要：作为杜比公司新一代的音频技术,杜比全景声的出现,既使观众的观影感受有了质的飞跃,又为声音创作者提供了更具表现力的创作平台。为顺应市场需求,越来越多的电影创作人,选择杜比全景声格式的声音。同时,对支持杜比格式的混录棚的技术指标也备受业内人士关注。以北京和声创影基于杜比全景声格式搭建的混录棚为重点,从系统搭建、声学环境、实际操作、应用情况等方面进一步了解了杜比全景声技术,也通过对该棚的分析和介绍为今后的混录棚制作提供一定的参考意见。As a new generation of audio technology from Dolby Laboratory, the development of the Dolby Atmos has brought audience a totally new live experience in the cinema and a production platform for those creative sound designers.In order to meet the requests of progress of market, Dolby Atmos has been chosen by more and more film producers, and the demands for the Dalby Atmos-supported mixing studio also start at the moment.It is focused on the Dolby Atmos based mixing studio SOUNDFIRM？ in Beijing in this article, and more details are discussedabout the Dolby Atmos technology through system con- figuration, acoustical environment and equipment operation.A few advices about the mixing studio design are also provided.

关 键 词：杜比全景声 混录棚 声学条件 系统布局 

分 类 号：TN93[电子电信—信号与信息处理]