影视交汇视域下的香港电影新浪潮源起论——以探寻“香港身份”为中心  

Discussing the Origin of the New Wave of Hong Kong Movie under the Movie-TV Joint Perspective: Centered on the Searching for the “Hong Kong Identity”

作　　者：付晓[1] 

机构地区：[1]南京大学文学院,江苏南京210046

出　　处：《南京师范大学文学院学报》2016年第1期128-133,共6页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：教育部2013年度人文社会科学研究青年基金项目<文化交汇视域下的香港电影新浪潮研究(1978-1984)>(编号:13YJC760017)

摘　　要：香港学术界的主流观点认为,香港电影新浪潮源于电视新浪潮,因为后者带给前者的"写实性",使其区别于当时脱离现实的片厂电影。此观点值得商榷。在电视新浪潮之前,电影工业内的先锋导演已有了"写实性"的探索。那么相对于电影工业的先锋探索,电视新浪潮到底"新"在哪里?两者与电影新浪潮又有何关联?笔者以"香港身份"的探寻为核心,通过比较"认同"与"认异"在电影先锋探索潮与电视新浪潮中的嬗变,对上述问题做出解答。据此,提出审视香港电影新浪潮源起的新视角。The mainstream view in Hong Kong academia considers the new wave of Hong Kong move as originated from that of TV,for the latter has brought the ＂realistic＂feature to the former,thus made it different from those ivory- towered products from the movie studios. But this view is questionable,since before the new wave in TV emerged,some pioneer directors in the studios had already started their groping for the ＂realistic＂movie. Then what is the innovative feature of the new wave in TV compared to the pioneering practice in the movie studios？ What is the relevance among these factors？ The author of this paper focus on the issue of＂Hong Kong identity＂,comparing the evolution of＂identification＂and＂differentiation＂in the movie pioneering practice and the TV new wave,in order to give an answer to the above question,and provide a new angle for observing the origin of the Hong Kong Movie new wave.

关 键 词：新浪潮 本土化 现代性 先锋探索 身份建构 

分 类 号：J951[艺术—电影电视艺术]