先秦两汉色彩审美理论的文化传承研究  

Research on the Cultural Heritage Relationship with Color Aesthetic Theory in the Pre-Qin and Han Dynasties

作　　者：武金勇[1] 陈萍[2] 杨芳[3] 

机构地区：[1]华北水利水电大学艺术与设计学院,郑州450046 [2]华北水利水电大学建筑学院,郑州450046 [3]华北水利水电大学图书馆,郑州450046

出　　处：《天津大学学报（社会科学版）》2016年第1期79-82,共4页Journal of Tianjin University：Social Sciences

基　　金：华北水利水电学院高层次人才科研启动基金资助项目(201102050)

摘　　要：先秦两汉时期是中国颜料的使用源头,这一时期的色彩审美理论在中国后世传统审美文化中是有迹可寻的。但先秦两汉时期颜料使用理论的文章较少受到重视,研究审美文化传承关系的文章更少被关注。因此,通过对先秦两汉时期经常使用的赤色、黑色、白色和青色以及黄色5大系列颜料的探究,归纳出这一时期色彩审美理论的基本特点,包括观物取象、美善合一、合乎礼制、重视色泽和五色令人目盲5个方面,进而阐述了中国传统审美文化与这一时期审美理论的传承关系。The usage of Chinese painting pigments began from pre-Qin and Han dynasties,and the color aesthetic theory of this period is traceable in later traditional aesthetic culture. However,paper focusing on pigments usage in pre-Qin and Han dynasties is less appreciated and research on the inheritance of aesthetic culture is much rare. Therefore,through studying five commonly used painting pigment series in pre-Qin and Han dynasties,including red,black,white,blue and yellow,this paper sums up five basic characteristics of aesthetic theory of that period,which are abstracting from viewing,combining beauty and kindness,conforming to etiquette,emphasizing color andlustre,and iridescent colors causing blindness.Furthermore,the inheritance relationship between Chinese traditional aesthetic culture and the aesthetic theory of that period is illustrated.

关 键 词：先秦两汉 色彩审美理论 文化传承 

分 类 号：J202[艺术—美术]