后集成时代舞蹈文化研究的反思——访哈密民间舞蹈文化学者艾买提·吉力力先生  

Introspection on the Dance Cultural Study of Post-Collecting Era——An Interview with the Folk Dance Culture Scholar of Hami:Mr. Ai Mai Ti·Gu Li Li

作　　者：戴虎[1] 

机构地区：[1]新疆师范大学音乐学院,乌鲁木齐830054

出　　处：《北京舞蹈学院学报》2016年第1期30-36,共7页Journal of Beijing Dance Academy

基　　金：2013国家社会科学基金艺术学青年课题"文化交流视野下哈密舞蹈文化研究"(项目批准号:13CB105);新疆师范大学自治区普通高校人文社会科学重点研究基地中亚音乐文化研究中心2013;2014招标项目"哈密木卡姆民间艺人口述志""仪式视野下哈密节日舞蹈文化研究"(项目批准号:XJEDU040913B02;XJEDU040914B01)资助阶段成果

摘　　要：艾买提·吉力力先生是新疆哈密地区舞蹈集成小组的负责人。集成工作圆满完成后,艾买提·吉力力先生却一直持续着对哈密舞蹈文化的研究,形成了大量并没有进入集成的舞蹈文字资料。本文以口述史的方式,对艾买提·吉力力先生保留下的舞蹈文字史料,进行了理性分析与反思,提出"后集成"时代,舞蹈文化研究应注重"集成内外"的舞蹈发展流变、影像文字互证、舞台艺术创作等方面研究,还应深入收集、理解"集成外"那些散落的民间舞蹈记忆,由此建构出一份生动的充满历史感的"身体历史"。To complete the National Folk Dances Collecting assignment of the last century,Mr. Ai Mai Ti·Gu Li Li was sent to Kumul Prefecture for folk dances collecting as the team leader. After the completing the assignment,he kept his research on Kumul dancing culture and collected a large amount of the literal information not concluding in the collecting assignment. The information displayed us with a more colorful dance world besides the assigned collection. Based on the oral historical material,the paper makes a rational analysis and introspection on the literal information,and proposes the dance of Post-Collection Era. The paper argues that dance culture research should focus on the collected and the uncollected especially the folk dance forms scattered among the local places as well as the stage art creations; also,the research should combine the literal material with image data. Therefore,a vivid body history will be presented based on the research.

关 键 词：艾买提·吉力力 后集成时代 舞蹈研究 

分 类 号：J792.9[艺术—舞蹈]