从《打鼓佬》看舞蹈创作中的语境预设  

The Preinstall of “Context”in Dance Creation Based on the Case Study of Drum Player

作　　者：王天佑[1] 

机构地区：[1]中央民族大学舞蹈学院,北京100081

出　　处：《北京舞蹈学院学报》2016年第1期69-72,共4页Journal of Beijing Dance Academy

摘　　要：本文通过对舞蹈作品《打鼓佬》在人物形象、虚拟意象、观念呈现三方面的分析,尝试说明舞蹈作品预设语境中的各要素,并在内在价值与外在形式表征上形成高度的一致性,以完成舞台创作所追求的形神统一,进而塑造出鲜活的舞台形象,挖掘舞蹈语汇背后的深层意义。The paper attempts to illustrate the individual element in the preinstall of context in the process of dance creation through analyzing the three aspects of character images,virtual images and idea presentation of the dance work Drum Player. The paper argues that the preinstall of context would make the inner values conform to the outside forms in the hope of achieving the unity of form and spirit and shaping vivid stage figures as well as discovering the deeper significance of dance vocabulary.

关 键 词：《打鼓佬》 形象 意象 语境预设 

分 类 号：J723.1[艺术—舞蹈]