《一位浪漫主义者的肖像》中的无聊现象学  

Phenomenology of Boredom in Steven Millhauser's Portrait of a Romantic

作　　者：余凝冰[1] 

机构地区：[1]安徽大学外语学院,安徽合肥230601

出　　处：《外国文学》2016年第2期60-69,共10页Foreign Literature

基　　金：国家社科基金青年项目"斯蒂文.弥尔豪泽文化叙事研究"(14CWW010);安徽省高校人文社科重点项目"伊迪丝.华顿伦理叙事研究"(SK2014A164)

摘　　要：弥尔豪泽的《一位浪漫主义者的肖像》以无聊作为主人公的核心意识,说明了后现代美国现实下浪漫主义主体的困境与绝望。选择无聊作为小说的核心主题,在修辞技巧上给作者提出了悖论性的任务。小说展现的无聊症状及其等级序列性,与海德格尔的生存哲学形成了共生性的对话关系。无聊的生成与现代消费社会下"物体系"掏空主体意识有着内在的关联,浪漫主义美学所弘扬的美感救赎的信条在当代已然不可能实现,这标志着后现代社会主体已死的悲剧。In Portrait of a Romantic, Steven Millhauser treats boredom as a core ex- perience of the protagonist to represent the difficulties of the despairing romantic subject in postmodern realities. Boredom presents the author with a paradoxical rhetorical task in deploying narrative techniques. The hierarchy of boredom symptoms in the narrative constitutes a dialogue with Heideggerian existentialist discourses, suggesting the inevitable genesis of boredom as a modern affect. Boredom inherently stems from the subjective consciousness being emptied by the system of objects in consumer society while the romantic aesthetic remedies have proved to be impossible, thus taking toll on the postmodern death of the subject.

关 键 词：弥尔豪泽《一位浪漫主义者的肖像》无聊 悖论 现代性 美学救赎 

分 类 号：I712[文学—其他各国文学]