晚明李维桢的诗体论及其李白接受观  

On the Prosody Theory and Reception of Li Po of Li Weizhen In Late Ming Dynasty

作　　者：苏焘[1] 

机构地区：[1]绵阳师范学院新闻与传媒学院,四川绵阳621000

出　　处：《阴山学刊》2016年第2期47-49,55,共4页Yinshan Academic Journal

基　　金：2013年四川省哲学社会科学项目"明代李白接受史研究"(SC13E047)阶段性研究成果

摘　　要：李维桢对儒家"中和"诗教观、格调论的体格法度观以及心学中的个性才情观进行的调合混融,既反映出其对格调诗学进行反思总结的努力,同时也反映出末期格调派在理论根基上所面临的矛盾和束缚。他以正变观和诗体论相结合的方式对李白诗歌"法度"和"不拘声律"的论析,亦真实地表明了明后期主流诗学的多元化趋向,以及对李白艺术批评方面自觉意识的进一步明晰化。Li Weizhen integrated the Confucian traditional preaches,the view of style theory and the style and talent of heart- mind theory. It reflected his effort to the reflection and summary of the style theory,and reflected the contradictions and constraints at the end of the literary style theory. He discussed the ＂rule＂and ＂regardless of tonal pattern＂by the way of combining the view of ＂correctitude and furor＂and the prosody. It also truly reflected the multiplication trend of main poetic and clarifications of art criticism of Li Po in late Ming Dynasty.

关 键 词：李维桢 李白 诗体 接受 

分 类 号：I207.22[文学—中国文学]