阿瑟·密勒戏剧开场叙述范式研究  

A Study of the Narrative Paradigm of Opening Scenes in Arthur Miller's Plays

作　　者：赵永健[1] 余美[2] 

机构地区：[1]上海外国语大学 [2]浙江工商大学

出　　处：《戏剧艺术》2016年第2期58-65,共8页Theatre Arts

基　　金：浙江省教育厅项目<叙述学视阈下阿瑟.密勒戏剧结构研究>(项目编号:Y201534427);浙江省社科联项目<阿瑟.密勒戏剧的时空叙事研究>(项目编号:2016N55Y)的阶段性研究成果;"上海外国语大学优秀博士学位论文资助基金项目"成果

摘　　要：戏剧开场情境具有重要的结构功能和主题功能。密勒十分重视开场情境的设计,主要采用了三种开场范式。在历史剧中,密勒通过建构"危机事件式"开场,有力地表现了"政治迫害"主题,表达了作者对善恶斗争和犹太民族命运的深刻思考。在现代剧的开场中,密勒或巧设家的空间环境,强调人物与环境之间的张力关系,从而影射人物心理,制造悬念,提供叙述动力;或将场景设在"医院"和"精神病院"等公共空间,通过对比或对立的人物关系,展现现代人之间的冷漠、隔膜和潜在的敌意,有力地对物质主义和种族歧视等具有时代特征的社会弊端进行了批判。Dramatic opening scenes have important structural and thematic functions. Arthur Miller meticulously constructs his opening situations, demonstrating three major paradigmatic features. His historical plays usually start with crisis situation, which helps build the theme of ＂political persecution＂,and profoundly reflects his concern on the fight between good and evil as well as the fate of the Jewish people. In the opening scenes of his early modern plays, home plays an important role in reflecting the conflicted psychology of protagonists and creating suspense and tension. In his late plays, he presents oppositional characters within hospitals, demonstrating indifference, estrangement and latent hostility among modern people, and potently criticizing materialism, racial discrimination and other social ills.

关 键 词：阿瑟·密勒 开场 情境 叙述范式 

分 类 号：J80[艺术—戏剧戏曲]