论陈若曦“现代文学”阶段的小说创作  

On Chen Ruoxi's Novel Creation in the Stage of “Modern Literature”

作　　者：尤作勇[1] 

机构地区：[1]贵州师范学院文学院,贵州贵阳550018

出　　处：《安康学院学报》2016年第2期58-62,共5页Journal of Ankang University

摘　　要：陈若曦在"现代文学"阶段的小说创作在风格技巧与主题立意上呈现出了极为斑斓的色调。这里面既有西方现代派文学的稚嫩仿品《巴里的旅程》,又有中国现代文学史的重要原型意象"疾病与疗治"的重述之作《收魂》;既有给予道德场景以一种生存论展现的《辛庄》与《燃烧的夜》,又有融合了乡土、神秘、情感等多种叙事元素的《妇人桃花》。这些小说作品显示了陈若曦在其小说创作尚未形成固定风格之时的探索痕迹。Chen Ruoxi＇s novel creations in the stage of ＂modern literature＂ show a very beautiful tone in the technique and the theme.There are both Barry＇s journey,western modernist literature＇ immature imitation and Take the soul,the restatement of the important archetypal images ＂ disease and heal＂in the history of Chinese modern literature. There are both Xin zhuang and The burning night,giving moral scenes with a survival showing and Woman peach blossom,Fusing local,mysterious,emotional and other narrative elements. These novels show the exploration marks when Chen Ruoxi has not formed a fixed style in her novel creation.

关 键 词：陈若曦 现代文学 小说创作 

分 类 号：I206.6[文学—中国文学]