死掉的眼睛,赤裸的心——电影《盲山》现实主义的表现  

Dead Eyes and Naked Heart: Expression of Realism in the Film "Blind Mountain"

作　　者：符小慧[1] 

机构地区：[1]北京林业大学材料科学与技术学院,北京100080

出　　处：《科教文汇》2016年第12期151-152,共2页Journal of Science and Education

摘　　要：《盲山》是2007年上映、中国导演李杨的电影作品,本文主要利用恩格斯关于文艺的现实主义理论,从电影情节、叙事环境和人物、角色性格三方面分析其现实主义的表现,并阐述这种现实主义表现手法背后的现实意义和社会意义。＂Blind Mountain＂, a film directed by Li Yang, was screened in 2007. Applying Engels＇ s theories of realism on literature and art, this paper mainly analyzes the expression of realism in the film ＂Blind Mountain＂ from the plot, narrative environment and figures of the movie as well as the personalities of the figures,and elaborates the realistic and social significance of the expression.

关 键 词：盲山 现实主义 李杨 恩格斯 

分 类 号：J922[艺术—电影电视艺术]